
Like millions of Rasikas all over the world , I too consider myself an ardent Sri Thyagaraja bhakth who loves so many of the saint’s exquisite kritis and often, whenever swept away by the mood, I do sing a few of them in the privacy of my home purely for the delight of my own soul (svaanubhavam).
On some occasions, I record my own renderings in audio clips and share them amongst close family, friends and fellow-rasika circles on WhatsApp groups: a pardonable “saatvika” self-indulgence…
More than a week ago , I had shared with my good friend Sri N. S. Srinivasan an audio clip of my personal “svaanubhavam” of the Thyagaraja Kriti “dvaitamu sukhama advaitamu sukhama?” with the following message attached :
“Sunday special rendering dedicated to you… Some people send their warm daily good wishes and good morning greetings to others through colourful pics, memes and images , I choose today to circulate to all my good friends a great Thyagaraja krithi that enveloped my mood this Sunday morning and made me want sing it to myself and share it with good souls like you in my world.
Some kritis of Thyagaraja are very contemplative and introspective . This Kriti in reetigowlam raagam is one such … It is a song that perhaps Sri Thyagaraja sang spontaneously within the tranquil silence within his own heart … because the lyrics seem to certainly suggest a certain philosophical anguish with which he sang them …
This song often gets sung in many kutcheris IMHO by Vidwans who exhibit no sense at all for the mood of its elevated contemplative-ness. Often the violin and mridangam accompaniments too intrude into serene flow and mar it … Thereafter, unnecessary inclusion of ensuing swarapraathaara would also totally erase the introspective imprint of the Kriti on the Rasika’s minds …
M D Ramanathan was perhaps the only exception in this regard. He used to sing this Kriti the best of all … for he seemed to know the depth of its meaning , the pathos in its mood and the spiritual with which Thyagaraja had sung it .
On this Sunday morning , in singing this beautiful Kriti , I pay personal tribute to Sri Thyagaraja as well as MDR .
🙏💐
M K Sudarshan
N.S. Srinivasan my friend is a very busy practising Chartered Accountant who works out of Mambalam. He is a devout practising Sri Vaishnava with native roots in the Vedic agrahaaram of Naavalpaakam. He is also well versed in Veda, Divya Prabhandham and Sri Vaishnava sampradaya subjects. We have been friends for many years. He took his own time to listen to my forwarded audio-recording but eventually he was kind enough to send feedback in an appreciative voice-message that said:
“Wonderful, really enjoyed it because it reminded me of M D Ramanathan ! I’ll be grateful if you can also send me your own appreciation of the deep meaning embedded in this Kriti”.
So, not wanting to disappoint my good friend , I sent him today the below message:
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Thyagaraja’s kriti “Dvaitamu sukhamā advaitamu sukhamā?” in Raga Reetigaula poses a profound inquiry into the relative merits of Dvaita (duality) and Advaita (non-duality) for spiritual bliss, reflecting the composer’s devotional introspection rather than a firm doctrinal stance.
The pallavi directly asks: “Dvaitamu sukhamā? Advaitamu sukhamā?”—Is duality blissful, or non-duality?
In the anupallavi, Thyagaraja appeals to the Lord as “Caitanyamā vinu sarvasākṣi” (O Pure Consciousness, witness of all), urging clarity on this “vistāramuga” (in detail).
The charanam evokes the Lord’s presence across elements, deities, and devotees, underscoring a unified divine reality amid the philosophical dilemma.
Interpretations of the song vary: Some view it as Thyagaraja—raised in Advaita traditions—questioning monism’s implications for personal devotion, hinting at Dvaita sympathies without outright rejection.
Others see syncretism, aligning with Vishishtadvaita, as his broader oeuvre blends bhakti with non-dual realization (e.g., “advaita sāmrājyamulabbināṭṭu” in “Rāma Sītā Rāma”).
No scholar or musicologist frames this one of Thyagataja Kritis as any kind of resigned Dvaita affirmation; instead, it gets often explained away as a sincere plea for guidance, resolved through ecstatic bhakti transcending rigid schools. Thyagaraja’s works do often prioritize Harinama Sankirtana for unity consciousness, embracing Advaita’s zenith via devotion over intellectual debate.
Some say however that this kriti subtly favors Vishishtadvaita-like qualified non-dualism, where Jivatma and Paramatma relate devotionally yet inseparably, mirroring Sri Vaishnava harmony of difference and oneness.
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It’s always very easy and prudent, of course, to smooth over things disputed by scholars and not ruffle any feathers by simply saying politically correct things: That in this Kriti, Thyagaraja placed Bhakti above all 3 philosophical schools of Vedanta. But that IMHO would be oversimplification of Thyagaraja’s philosophy …. which is thyaagopanishad is far too profound to be reduced to uni-dimensionality.
I say so because in his other poignant Kriti “teliyaleru raama bhakthi maargamu” (Dhenuka raagam) Thyagaraja bemoans his pathetic inability to know how to walk the path of Bhakthi too.
So, no one can really put any convenient labels upon a soul as complex as Thyagaraja’s to fathom his philosophical outlook in life.
One might say though that, in the last mentioned Kriti above , Thyagaraja was venting the typical plea of “aakinchinya”… spiritual helplessness and admitting defeat in comprehending and practising fully any worthy “moksha upaaya”. That he was expressing his abject spiritual “gati”…. floundering about in life knowing neither philosophy nor Bhakthi. A Sri Vaishnava like me might hence ask himself then: wouldn’t that make Thyagaraja an “undeclared, unacknowledged prapannan” in the mould of a follower of Ramanuja Siddhantham?
What truly was he? Advaitin, Dvaitin, Visishtadvaitin … or a Sri Vaishnava prapannan ? He keeps us all guessing! We will never really know the answer because we are clueless, in the first place, about who we ourselves truly are! And it is precisely such “clueless-ness” that is at the heart of what Thyagaraja sang in both his kritis, dvaitamu sukhama and teliyaleru… !
Thyagaraja was only trying to mirror our own spiritual shallowness. Don’t we delude ourselves into thinking we know so much about Dvaita and Advaitam? Don’t we also delude ourselves into believing our hearts are overflowing with Bhakthi? Thus, does Thyagaraja deride us all in those two kritis of his! He sarcastically observes:
“vEgalEci nITa munigi bhUti bUsi vallanenci veliki shlAganIyulai… bAga paika mArjana lOlulai rEgani….”
“They wake up at dawn, attend to their ablutions, proudly wear the emblems of creed and count the holy beads, put on a show appearing to be spiritual and religious, but behind their minds they are all so busy working out strategy and schemes for making money by hook or crook….”
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Thyagaraja was a saint , mystic and philosopher, no doubt, but he was also a realist who had no illusions about the spiritual cynicism of humankind. In his songs, he was careful not to sound preachy or judgmental about humans… he simply expressed his pity for us … for our spiritual vanities, our intellectual naïveté and above all, our moral pretensions.
Like a true Sri Vaishnava, Thyagaraja also had the good sense and the humility to invert and divert towards himself any carping criticism he had reserved in his heart for society’s failings… It is that rare and noble quality of Humility which in Sri Vaishnavism is called “naicchyaanusandaanam” … : it is the deprecation and diminution of oneself to keep abstaining from committing the cardinal sin of “bhaagavatha apachaaram”, the wanton casting of hurtful aspersions in any sort of way upon fellowmen who, as souls that know not what they really do in and with life…. must always be forgiven.
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Sudarshan Madabushi















